A screenshot from Flynn: Son Of Crimson. It's some absolutely gorgeous pixel art! A cave scene with purple lightning bolts blocking the exits either side. A rotund knight with a big axe meanders across the floor as the player leaps through the air.

I’ve been reading a lot of nineties videogame mags these past few weeks and as anyone around at the time can confirm, there really is rather a fixation on things always pushing forward -on the next new thing – around that time.

I mean, videogames nearly always has a fixation on the new but the nineties were all that and more so. A decade where a game would get puzzling looks if it didn’t at least do something different.

To be honest, I found it exhausting then and I find it exhausting now. No wonder I meandered off for a bit to do just about anything else.

It's Flynn again. This is a forest scene, there's an Audrey-esque plant sitting atop a platform, a few gems, Flynn leaping through the air (again) and a big cute doggo.

One of the joys of the past decade, for me at least, has been watching originality become an almost useless metric as the sheer volume of games released pretty much guarantees that folks will be working on similar games in their respective genres.

To the surprise of no-one who thinks about this for even a cursory amount of time, this hasn’t come at the cost of exploring new things – we’re still making remarkable progress in that regard – instead it’s allowed folks to put their own personal (or impersonal!) stamp on things. It’s allowed players who enjoy certain genres to rarely find themselves short of different games to play in those genres.

It’s a ridiculously abundant time. I say it often but I really do feel rather spoiled by it all. It’s nice!

Flynn again. He's riding the doggo through a dungeon. Careful now!

I grabbed Flynn: Son Of Crimson on a whim. I can’t say I knew anything about it or that I even read the store page properly before grabbing it! I had fifteen quid left over from grabbing the eldest something, it looked kinda pretty, I figured “why not, eh” and *click* bought.

I don’t mean this in any derogatory sense whatsoever, it looked like a safe purchase. This sort of platformer usually is (and I should know because I keep buying the things).

There is always the platform game curse to consider – that perhaps there will be a point where the skill and effort the game requires is more than I can manage – but for the most part, I’ve usually had more than my money’s worth at that point anyway and there’s always another one to play.

It's Flynn! This one is a bit Dead Cells with how the platforming arrangement looks. Goblins galore here and one is even riding something or other that doesn't look too friendly. Flynn is still leaping! He likes leaping.

At the time of writing I’m around 30% in (according to the save data) and it hasn’t had me beat for skill yet. I’m not sure how much that is in time spent as I’m forever having to put games down for a bit to go and tend to the kids or whatever so time is pretty much meaningless to me by now. It’s a while, anyway.

Mind, I wouldn’t say the game has a difficulty curve as much as it’s just a bit all over the shop from stage to stage. Sometimes it can be a bit all over the shop within a single stage. The consistently wonderful art and all round polish hide a game that’s rougher round the edges than you’d perhaps expect. Certainly more than I expected at times.

Flynn again! He's not leaping this time! He's on a rope (they got him on a rope) over some lovely blue water. A winged beasty carries an explosive barrel above him.

Dips and spikes aside, if you’ve played a modern indie platformer that isn’t fixated on brutalising you then you’ll have a fairly good idea what to expect of Flynn.

A world map, the odd village or stop off hub to chill in, discreet stages with the usual sort of puzzle platforming trickery at play. Fiddle with switches to open doors, move platforms and all the usual stuff, all punctuated by the odd moment of not too strenuous combat. Hit things, get gems, find the odd secret pathway. You know the drill.

It is very much a “if you’ve played and liked something similar and fancy more of that sort of thing, here you go” kind of game. It’s pretty in the same way a fair amount of these games tend to be. No surprises, basically. Oh, and it has a big doggo that’s really cute. Or at least, you might find it cute. It’s not a cat so it does nothing for me. (Meanie – Ed)

In summary, it’s a genre piece and a perfectly fine one at that. I’m not sure I’ve got it in me to be especially excited over it but I have been comfortable with it. I’ve mainly been having a relaxed time with it, give or take the odd niggle with the odd level here and there, and most definitely don’t regret the almost random purchase.

That said, they should take the dog out and replace it with a really big cat (or a really small cat. Just less dog, more cat in general). Cats improve everything, especially videogames.

As usual, I’ve been playing on the PS4. Other formats are available.

I’m not saying I really enjoyed the first Super Destronaut or anything but the time from spotting Super Destronaut DX2 had launched on the PlayStation store to me scraping together a few quid to buy it could be measured in minutes.

I can’t say I was disappointed either.

A chaotic scene from Super Destronaut DX2, amidst a shaking screen and chromatic aberration, the player's spacecraft destroys one of an incoming wave of colourful glowing enemies.

You can probably see why, right? It glows.

It’s a game that doesn’t need much of an explanation, it’s a very traditional shoot ’em up, think somewhere between Space Invaders and Imagine’s Arcadia (you can pick which format) – waves of enemies find their way onto the screen, you shoot them. That’s the deal, that’s as much brainpower as you’ll need.

Because everything is super big and super chunky, it looks absolutely fantastic in motion. It’s far, far, far from the most challenging game ever made (the other one, really) so it very quickly turns into a game of sitting back and enjoying the light show as the firework-like explosions tear across the screen.

A screenshot from Super Destronaut DX2. An almost Factory Records yellow border surrounds a play area, the play area is a wireframe landscape with wireframe structures in the distance. At the forefront, waves of very colourful, very chunky simplistic pixel enemies are blown apart by the player's chunky rocket ship.

Much like other Petite Games stuff, Super Destronaut DX2 manages to hit a lovely sweet spot of just enough challenge to feel like I’m in control of the action and way more than enough shiny to satisfy my flashy-light addiction. It rarely demands too much of my skills but really appeals to my love of glowing pixels.

There’s a couple of modes to mix things up a bit, nothing drastic (best score possible in X minutes and the like), more than enough to stop me getting bored and I am, as anyone who has played stuff I’ve worked on before now, certainly a fan of that sort of bite size arcade gaming so it works for me.

All told, it’s a very Rob-will-like-this game and indeed, I do like it. A lot.

As usual, I’ve been playing the PS4 version. Other formats are available. I can’t really see there being much difference between them.